Homer Shantz Photograph Collection (MS 481)
University of Arizona Libraries, Special Collections
No Known Copyright: The University Libraries is not aware of any known United States copyright protection for this material.
This video was made in collaboration with dancers, choreographers, musicians, and visual artists that reside in the US/Mexico border and whose work in this project was inspired by their own experience as border artists.
University of Arizona. Confluence Center for Creative Inquiry
Copyright © is held by the artist. Digital access to this material is made possible by the University Libraries, Special Collections. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the artist.
A photograph of the tennis gallery with several people sitting on chairs.
The Institute for Resource Management, 1983
Stewart Udall (seated, second row, fourth from right) with others from the Institute For Resource Management, 1983.
Permission to use must be obtained from the University of Arizona, Special Collections
Koenig. [Shantz travel journal, Apr. 3, 1920]
Morris K. Udall and Stewart L. Udall had a tremendous impact on American environmental stewardship, politics, and Native American issues during their years of public service. This video celebrates their legacies and features materials that were organized and cataloged by Special Collections at the University of Arizona Libraries with support from the Udall Foundation.
Permission to use must be obtained from the University of Arizona Libraries, Special Collections.
Lewis and Clark expedition (1804-1806) -- poetry
Indians of North America -- west (US) -- poetry
Indians of North American -- west (US) -- pictorial works
Artists' books ; west (US) -- discovery and exploration -- poetry
West (US) -- description and travel -- poetry
The Lost Journals of Sacajewea began during the bicentennial of the Lewis and Clark expedition in the Spring of 2005. The Missoula Museum of Art had two exhibitions running simultaneously that were critical responses to the celebratory afflatus that customarily surrounds such events. I was at the museum to open my exhibition Nature Morte when I saw, hanging in the next gallery, a fragment of a poem that accompanied Native Perpectives on the Trail: A Contemporary American Indian Portfolio. I was introduced to the author Debra Magpie Earling, and based on that fragment, I proposed a collaboration. Over the next few years we met occasionally and worked sporadically on the concept while we each pursued our own busy and demanding schedules. By 2006 Debra had completed the writing, and in 2009 I collected the last photographs that I wished to accompany the text. Printing began in late 2009 and was completed in January 2010.
The typeface is a version of the historic Fell types presumed to be the work of Dutch punchcutter Dirck Voskens and interpreted by Jonathan Hoefler in a conscious attempt to reproduce the imperfect image that the Fell types left on paper when printed in the 18th Century. The Fell types have been described as "retaining a retrogressive old-style irregularity" which somehow seems appropriate given our purpose here in this book. The text is printed on Twinrocker DaVinci hand-made paper at Peter Koch Printers and bound at the press by Jonathan Gerken. The cover paper is from Cave Papers in Minneapolis, Minnesota. Images prepared by Donald Farnsworth at Magnolia Editions on Kozo hand-made paper and printed with the assistance of Jonathan Gerken and Tallulah Terryll. Edition: 65 copies, of which five copies are designated hors commerce. Edition 4/65.
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A photograph of the Louis Cousin boat and indigenous people standing on the boat as well as on the shore.
The Lower Colorado River Project- A Five-State Regional Approach, 1963
United States. Department of the Interior
Address on "The Lower Colorado River Project- A Five-State Regional Approach", Town Hall, Los Angeles, California, August 21, 1963
The market at Moshi. The chief product brought to the native market is bananas. Of which there are several kinds. The best one a green one - about 8 or 9 inches long. There are two shorter ones and one with a rather flat fruit [sketch] of about this shape and 6 inches long. [Shantz travel journal, Apr. 17, 1920]
The Morris K. Udall Foundation Headquarters in Tucson, Arizona, 2003.
Photograph of the Morris K. Udall Foundation headquarters façade in Tucson, Arizona.
This item is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. In addition, no permission is required from the University of Arizona for non-commercial uses. For other uses you need to obtain permission from the University of Arizona.
The Old Cieniga Stage Station Near Pantano
Edward Vail's account of the happenings near the old Cienega Stage Station, now known as Pantano, including the Southern Pacific's Apache Trail Route with gravestones, Farishes' History of Arizona, and a story about robbery and murder of a U.S. Paymaster. Also mentioned is A.F. Banta's visit with Apache Chief Es-Kim-En-Ain about the incident. Written in 1923. The material is a copy of the original transcribed by Charles Morgan Wood, dated February 20, 1926.
Arizona and Southwestern Biographical File
Public Domain: This material has been identified as being free of known restrictions under U.S. copyright law, including all related neighboring rights
The Negro of Tucson, Past and Present, E9791 1930 80
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
The Orndorff Hotel where Mrs. Lee ran her Dining Room.
Photograph of side view of Orndorff Hotel
The Potency of Poetry as Ancestral Medicine
Indigiqueer; Chicanx; Non-binary; Indigenous; Decolonial; Traumas; Healing; Poetry
A collection of poems that delved into traumatic memories and move toward medicinal healing stories.