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Monument No. 207, looking east-northeast 1/4 mile west of the port-of-entry at Andrade, California. Mexico is on the right.

Monument No. 210, looking southwest, near the Gray's Well area west of Yuma, Arizona. Although early monuments were equipped with flagpoles, this pole is used to mark the boundary under shifting sands. Even with the extension, the monument is often…

A dirt road with tire tracks. On the left, Monument 212 is visible in the distance. On the right, power lines run alongside the road.

View of Monument 238, which stands between several shrubs. To the left, a small path is visible.

View of Monument No. 3, overlooking Mesilla Valley and the Southern Pacific Railroad.

View of Monument 34, looking south. A wire fence and wooden posts run perpendicular to the monument.

View of Monument 40, in corner of New Mexico border running east to west and north to south. A fence runs behind the monument while vegetation populates the space behind it.

View of Monument 41, looking south. On the left, a fence extends into the distance over a ridge. Vegetation also covers the landscape.

View of Monument 60 and a fence with wooden posts. In the background, a storm and lightning are visible.

A far away view of Monument 63 facing west to southwest. A fence cuts through the landscape, and in the background, mountains are visible.

View of Monument 8 facing south, looking into Chihuahua from New Mexico.

View of ocotillo cactus and Monument 82 with Mexico across the road. The Border runs parallel to the horizon.

View of a railroad and dirt road serving as the boundary between Monument 89 and 90.

Without water, the landscape cannot sustain the urban or agricultural development typical of the Rio Grande Valley. The topography is entirely arid desert. The border is marked by 276 permanent monuments covering 698 miles from Monument No. 1 to the…

A behind the scenes photograph of tools the artist used to film motion capture interviews via mail.

Moon Journey represents the collaborative endeavors of Claudia Smigrod, photographer, Jake Dingman, writer, Sam Singman, musician, and the staff of Pyracantha Press; John Risseeuw, Dan Mayer, and Patrick Vincent. Claudia's photographs were generated…

A photograph of moonlight over the Congo river with trees and vegetation on the other side of the river in the background.

A photograph of piles of mopaine logs used as mine timbers at Du Toit's Pan mine. They are shipped in from Rhodesia.

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