Letter from Benjamin De la Torre to his father, Ignacio De la Torre Berumen, in which he discusses new business prospects and the impact the U.S. victory in war has had on the economy
Letter from Benjamin De la Torre to his father, Ignacio De la Torre, in which he informs him about the tannery's liquidation in Navojoa and the business prospects for trading oil with his brother Luis, among other topics
Letter from Benjamin De la Torre to his sister Maria De la Torre where he describes his work at the chrome tanery in Guaymas, Sonora and his relationship with the workers.
Carta de Benjamín De la Torre a su hermana María De la Torre donde relata…
Letter from Benjamin De la Torre to his sister, María de la Torre, in which he describes the working conditions and his relationships with workers in the chrome tannery in Guaymas, Sonora
Letter from Benjamin De la Torre to his mother, María Uribarren, in which he describes his arrival at Aguascalientes, the family tensions that his presence has brought on given his Cristero brother's situation, as well as his work and distance…
Letter from Alfonso De la Torre to his father, Ignacio De la Torre Berumen, about reprisals taken against their tannery business due to the family's relationship with Sonora's clergy and the common assumption that Bishop Juan Navarrete was its real…
Letter from Alfonso De la Torre to his mother María Uribarren regarding the Mexican Youth Catholic Organization’s (ACJM) protests against religious persecution, the Bishop’s position on the matter and the “civic courage” that was instilled…
Cartoon representing the priest, town, governors (as a dog), state governments (as a bone) and President Plutarco Elías Calles. Calles orders the dog to attack the priest or else he will be left without a “bone” (a colloquial expression in…
Manuel de la Rosa, reporter for the High School Sports Magazine, talks about his career along the border and how the situation has changed over the years. Describing the kind of crimes taking place in the area and how it is hard to trust their…
Femmes Fatales was produced by Maureen Cummins in the summer of 2001, with typographic assistance from Kathy McMillan and die-cutting by Earl Kallemeyen. The typefaces used in the book were New Century Schoolbook and Kunstle Script. All borders and…
Ghost Diary was produced by Maureen Cummins in the winter of 2003, with typographic assistance from Kathy McMillan and metalwork by Gary Dodge. The text of the book is based on a handwritten letter discovered by the artist in the archive of Weir Farm…